Ankita M. Kumar describes herself as a “chameleon” at this stage of her career: an investigative journalist at heart who thrives on pursuing difficult stories, and a deeply visual storyteller drawn to documentary filmmaking. Through her production company, Akiray Pictures, she specializes in underreported narratives centered on marginalized communities.
Her first documentary, Far from Home, examines the lives of Afghan refugees in India. Directed by Kumar and produced by Emmy-winning producer Brent E. Huffman, the film later brought on Bollywood actor Naseeruddin Shah as Executive Producer. After an extensive film festival run in 2024, the project is currently seeking distribution. Across both written and visual journalism, her work consistently focuses on communities affected by conflict, displacement, and systemic neglect.
Finding a Path into Journalism
Kumar studied history as an undergraduate and initially envisioned a career in archaeology. She later recognized that her strength lay not in excavating artifacts, but in uncovering facts. Her entry into journalism was unplanned: immediately after graduation, she was offered a position as a television producer at one of India’s largest broadcast networks.
She later pivoted to digital media in 2015, anticipating the rapid expansion of the sector. That transition broadened her reporting scope and positioned her to cover some of the most consequential stories of the decade, including the COVID-19 pandemic and the global refugee crisis.
Reporting on Refugees, Conflict, and COVID
Over the past several years, Kumar’s reporting has centered on immigration and refugee communities, particularly Afghan refugees. She argues that journalism is one of the few mechanisms through which displaced and marginalized people can be heard. For her, coverage of conflict must move beyond headlines and geopolitics to document lived realities.
Journalism is the only way for the marginalized to speak up and get heard.
During the COVID-19 pandemic, she reported extensively from India on systemic inequalities exposed by the crisis. Her work examined:
- Public health management in Dharavi, Asia’s largest slum
- Migrant workers navigating lockdowns without employment
- Nurses serving rural communities under extreme pressure
- Diamond workers in Surat facing economic collapse
- Dairy farmers excluded from record industry profits
- The gendered health impacts of lockdowns in urban slums
This period shaped her global reporting trajectory and laid the foundation for her later documentary work. Her article reflecting on Afghan displacement alongside her grandmother’s experience as a Partition refugee won the 2023 Professional Excellence Award from the Association of Foreign Press Correspondents.
Identity, Ethics, and Empathy
Kumar identifies as an immigrant, a person of color, a member of the LGBTQ+ community, a descendant of refugees, and the first woman in her family to work professionally. These intersecting identities inform both her drive and her ethical framework.
Her approach balances ambition with responsibility. During the production of Far from Home, she encountered the risks inherent in documenting vulnerable refugee communities.
When my original subject refused to be part of the film, fearing persecution from the Taliban, I let her walk away.
For Kumar, the safety of vulnerable sources outweighs any journalistic objective.
She also speaks openly about burnout after five years in the field, covering both COVID-19 and refugee displacement. Stepping back, she returned to her training in Hindustani classical music and expanded into musical theatre, opera, piano, and tabla. That artistic grounding has since informed new documentary explorations, including a developing project on Carnatic music.
Community and Ethnic Media
Kumar views community and ethnic media as foundational to the United States’ information ecosystem. In a geographically vast and socially fragmented country, she argues, local journalism sustains civic connection. While national media struggles to maintain relevance across regions, community news fosters belonging and accountability.
At a time when local outlets are shrinking and audiences retreat into algorithmic silos, she sees ethnic and community media as essential communicators that challenge isolation and strengthen democratic participation.
The only way we will stay connected within our community and ethnicity is through local news.
Featured Work
Ankita M. Kumar’s reporting and documentary work centers on migration, displacement, public health, labor, and the unequal impact of crisis on marginalized communities. Her featured work includes award-winning narrative reporting on Afghan refugees in India, field reporting during the COVID-19 pandemic, and oral history documentation of women journalists covering the pandemic.
The Wire / Pulitzer Center, 2023
In this personal and reported essay, Kumar connects the life of Samira Faizi, an Afghan refugee living in Delhi, with the memory of her own grandmother, Pratima Mukhopadhyay, who became a refugee in India after Partition. The piece reflects on inherited memory, forced migration, gendered vulnerability, and the emotional continuity between different histories of displacement. The article received the Professional Excellence Award from the Association of Foreign Press Correspondents in 2023.
Outlook India, 2025
This article expands on Kumar’s documentary work with Afghan refugees in India, focusing on Samira and the larger Afghan refugee community in Delhi. Kumar foregrounds the uncertainty, legal precarity, and emotional strain faced by Afghan families who remain displaced while searching for safety, stability, and a future for their children.
Deutsche Welle, 2020
This report examines the long-term economic and social disruption experienced by India’s migrant workers during the COVID-19 pandemic. Through worker-centered reporting, Kumar documents how informal laborers faced job loss, food insecurity, and an uncertain return to urban employment after pandemic lockdowns.
Feminism in India, 2020
Supported by a National Geographic Society COVID-19 emergency fund grant, this field report investigates how lockdown conditions affected women’s health in Gurugram’s urban slums. Kumar highlights malnutrition, reproductive health barriers, lack of access to public health services, anxiety, and the compounded burdens placed on women during the pandemic.
Deutsche Welle, 2020
This story reports on Mumbai’s efforts to contain COVID-19 through public health surveillance, fever camps, and police enforcement. Kumar’s reporting looks at how frontline systems operated in densely populated urban areas, including the role of police personnel assigned to pandemic response.
Deutsche Welle, 2021
In this report, Kumar documents the strain placed on nurses and frontline health workers during India’s COVID-19 crisis. The piece contributes to her larger body of pandemic reporting by centering the labor, exhaustion, risk, and emotional burden carried by healthcare workers.
Deutsche Welle, 2020
This article examines how the pandemic disrupted India’s diamond industry, affecting workers, manufacturing, exports, and livelihoods. Kumar’s reporting connects global economic shocks to the people whose labor sustains export-driven industries.
Deutsche Welle, 2020
This report investigates the gap between dairy industry profits and the earnings of milk farmers in India. Kumar focuses on the imbalance between large cooperative or industry gains and the financial precarity of producers at the farm level.
Eastern Michigan University, Women Journalist COVID Experiences Project, 2023
In this oral history interview, Kumar reflects on her reporting during the COVID-19 pandemic in India. The interview documents her experiences as a journalist covering public health, labor, and social inequality during a global crisis, and places her work within a broader archive of women journalists who reported from the front lines of the pandemic.